Ben & Clare!

Ben & Clare!
freezing ourselves in the name of art

Saturday 18 December 2010

My growing family

So this has been a pretty exciting week. My second son, Caleb, was born last week (3 days late). It's crazy how quickly you forget what it's like to look after a newborn. Compared to Eden he weights practically nothing, sleeps all afternoon and throws up every 2 seconds. What's even weirder is having a newborn and a 2 year old in the same house. Eden has been a sobbing mess for most of this week, but we think he might have molars coming in. Anyway, I haven't had the chance to take any considered portraits yet, but here are a couple of semi-snaps.


Thursday 18 November 2010

A trip to Manchester

Yesterday morning I woke up staggeringly early - well, 6am - and somehow made my way to Preston train station. Hopping on the train, then another bus ride to Openshaw in Manchester - I'd never even heard of it till a couple of days ago - I arrived at the studio in perfect time for the day's training to begin. The thing is, I was 2 hours early and stuck in a part of Manchester that, to be fair, isn't exactly interesting.

Fast-forward an eternity to 11.30 ish and the training could begin. Mike Larson is an internationally known and respected photographer, but for me at least, it's not the quality of his images (which, by the way, are fantastic) that sets him apart, but his ability to talk about the business side of things in a way that seems to inspire people. For example, he mentioned having a 'to be' list, and not just a 'to do' list ... hmmm, I feel I need to buy a pipe, pour a glass of port and ponder this over some Chopin.

After a while he got down to some shooting, with the model, giving us some valuable insight into what goes through his mind when he takes on a shoot, particularly in regard to lighting - incidentally, by the end, we were working in conditions so dark that bats would've had to turn on their full-beams. Well, maybe not that dark, but you get the idea.

So, here are a couple of pics I managed to grab in the couple of minutes available to me ...


This one was taken with the model sitting on a window-ledge. No extra lights, nothing. 


This had the exact same set-up, but went for a more abstract composition.

Wednesday 3 November 2010

I went to Bristol and this is what I did ...

Well, that's actually not true, because the action actually took place in Stonehouse, Gloucester. I booked my place on the Lovegrove 'Shooting Winter Weddings' training day back at the end of August, when I bought my new camera gear. The option was floating around my head to either attend this workshop (not exactly cheap, but I'll get on to that shortly) or buy another piece of equipment, like a great tripod / another speedlight, etc - as a bloke this was more than tempting.

I decided, however, to bury my desire for yet more gear and get some training. There are loads of training providers out there, but I went for the Lovegrove thing. The quality of their work is outstanding and Damien has a column in a magazine I subscribe to.

So I made my way down to Bristol, then the next day back up to Stonehouse (about 35 miles out of the city) and waited somewhat anxiously with the other delegates to meet Damien and Julie. I was actually more nervous about this day than I was about the real wedding I shot a couple of days previously .. maybe it was just not wanting to make an idiot out of myself in front of other pros ...

So, without further ado, here are some of my best pictures from the day.


1) I loved the sense of movement you get from the spiral staircase, the directional lighting on the groom and the warmer light behind him - this gives the picture a real 3D quality.



2) I really like the simplicity of this one. The streak of light in the bottom right corner is at the same angle as her head, while the look away from the camera gives the frame a sense of movement.



3) The bride just touched her face for literally a second (not an intentional pose I might add), so I quickly took the shot. It just makes it look a bit less posed, and I like her expression, as well as the angles created by her arm, which always lead you back to her face.



4) This was taken in the church, with all 8 photographers, as well as Damien and Julie, vying for prime position. The mixed lighting colours weren't giving me the effect I was looking for, so I did a sepia conversion. I love the directional lighting and the shaft of light from the window in the background.



5) Another sepia one, this was inside, with a one light set-up.




6) Moving to a two light set-up (I think, anyway)



7) Moving outside to catch the darkening sky, Damien set up a single speedlight to capture these dramatic shots.


8) To make sure we all got a turn at getting wet and muddy by lying on the ground, I decided to try the same shot from a different angle. I darkened down everything surrounding the bride, and I like the results it gave me. Really really simple, yet quite striking.


So to sum up, anyone considering doing some training, such as this course by the Lovegroves, cannot fail to be delighted with the results. It is not cheap, but the crucial factor is that it is worth the price. The use of an amazing venue, beautiful and professional models, and of course the expertise of Damien and Julie will give you shots to be proud of. I expect to book my next training day with them asap, just don't tell the Mrs ;)

Monday 25 October 2010

My second child @ 34 weeks!

I'd been meaning to take some bump shots for a while, but needed to wait until monster number 1 was safely asleep in bed, so as not to get harassed. I decided I really wanted to try out some modern classical shots in black and white, and generally just play around with the lighting, poses, etc. I was actually really happy with the way it went, even though we did the photo in out cramped bedroom - at times I was led on the floor hunched up trying not to knock over the telescope that I got for christmas 2 years ago (and have shamefully only used about 3 times).



This particular shot reminds me of an old movie from decades ago - I think it's because of the lighting set up (natural light from a nearby window + flash as a hair light). Anyway, here it is, hope you like it!

Friday 15 October 2010

An early start

Last week I got the chance to meet up with an old friend from school, whom I haven't seen since the day we left, in 1998. This is a crying shame, and it makes me wish Facebook had been invented 10 years ago.
Still, a couple of Saturdays back the four of us: me, my friend and his fiancee, and Alison, who did a great job assisting me, headed out into the sticks to shoot some engagement photos and generally hang out / discuss the wedding. Though camera shy, they rocked it and really made it easy to get good shots. We were in a valley, so only got occasional shafts of light, but one of these made a great backdrop, with intentional flare and backlighting. Here is one of those shots: More soon.

Thursday 16 September 2010

A morning at the beach

I've got an engagement photoshoot on sunday, so what better way to spend a morning than checking out a new location. We randomly stumbled upon what I think is gonna be an awesome location, by the sea in Lytham, Lancashire. Right there you've got the beach, a little waterfall feature, and a cool little bridge - can't wait to take my clients!

My little boy came too, and here's a picture I took. I think he was happy :-)

Wednesday 1 September 2010

The old and the new

So, having just ordered a shed load of new equipment (thank you great grandma for dying and leaving me this money), I have an urge to dig out my wife's old Nikon N2000 film camera. Bear in mind that we've been married for 4.5 years, and I haven't so much as thought of trying to get it to work.

The more I get into photography, the more I enjoy the process of taking pictures. For me, photography is both an art and a science, so maybe this is why it appeals to me so much ...
Anyway, the plan is to find some rolls of film and enjoy just taking pictures at a relaxed rate.
Still can't wait for my sparkly new D700 to arrive though.

Thursday 26 August 2010

choosing gear

All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy
All looking at camera websites and no play makes Phil a dull boy

Monday 16 August 2010

Through the Lens

Here's a fun photo I took yesterday. Just held my glasses up in front of the camera to see what would happen.

Monday 9 August 2010

Kiss

So, today I've been trawling the internet looking for some really cool, kind of alternative wedding albums and photobooks. I still haven't made any final decisions, but am homing in like the Stealth bomber on Airforce One, from 24 season 4 (just watched the episode where the president is taken out). Anyway, I've found a couple of funky looking places, including Kiss photobooks, which is endorsed by Mike Larson, so must be good!

Saturday 7 August 2010

A recent photo


I took this one a month or so in Preston. The same morning, we'd gone in search of cool urban locations and spent about 5 minutes shooting in a multi-storey car-park. We got some awesome shots but unfortunately the mall-owner strode over and the NET result was I deleted the photos.
That didn't deter us too much though, so later in the day we continued out quest and found this grafittied wall on the other side of the river Ribble in Preston. Not too many chavs and a really hot day, and really please with the results :)

Wednesday 4 August 2010

The tyrant king

Mornings are beginning very early at the moment due to the minotaur's (my son's) demands for more human flesh (milk). He's also decided that hitting is great - a point of disagreement between us, but then he is only one so what can I expect?

In terms of photography hopefully soon I'll be able to upgrade my equipment and am facing the 'red pill / blue pill' choice of stick with Canon or switch to Nikon. Hmm, dwell on this I shall ...